DE MACONDO A MCONDO PDF

Jump to navigation. Frederick Catherwood. Pyramidal building and fragments of sculpture, at Copan, in Views of ancient monuments in Central America, Chiapas and Yucatan. C31 In this workshop we will traverse some of the main tropes of the Latin American literary period known as the Boom, using magical realism and its imaginary space of Macondo as pretexts. Through the use of literary and cultural texts, the workshop also proposes to question the ways in which these tropes have been traditionally understood, by bringing to the forefront some of the responses that emerged at the end of the twentieth century, such as the McOndo movement.

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Jump to navigation. Frederick Catherwood. Pyramidal building and fragments of sculpture, at Copan, in Views of ancient monuments in Central America, Chiapas and Yucatan.

C31 In this workshop we will traverse some of the main tropes of the Latin American literary period known as the Boom, using magical realism and its imaginary space of Macondo as pretexts.

Through the use of literary and cultural texts, the workshop also proposes to question the ways in which these tropes have been traditionally understood, by bringing to the forefront some of the responses that emerged at the end of the twentieth century, such as the McOndo movement.

This survey will also allow us to delve into the historical context of the region through an analysis of narratives and visual culture. Note: Given the contemporary nature of the topic, this seminar will not feature a show and tell with Newberry collection items. This Chicago Teachers as Scholars seminar is free and open to classroom teachers in the Chicago Public Schools on a first-come, first-served basis. Seminar participants will receive 5 ISBE professional development credit hours for attending this seminar.

For more information, please email teacherprograms newberry. Donate Now Join the Mailing List. Search this site. Friday, July 17, Chicago Teachers as Scholars. Cost and Registration Information.

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From Macondo to McOndo

McOndo is a Latin American literary movement that breaks with the magical realism mode of narration, and counters it with languages borrowed from mass media. The realistic narratives of McOndo literature refer and allude to popular culture as lived in the cities and suburbs of contemporary Latin American cities—thus the gritty, hard-boiled depictions of poverty and crime, of the local economic consequences of globalization , and of social class and identity differences. Despite McOndo literature often depicting the social consequences of political economy , the narrative mode is usually less political than that of magical realism. In the s, Latin American novelists had progressed past Magical Realism ; yet the McOndo literary movement did not coalesce as literature, nor constitute a genre, until the mids. The McOndos presented the cultural effects and consequences of global commerce upon Latin American societies, of the erasure of cultural demarcations among nations and countries , and the consequent reduction of identity that is cultural homogenization. Citing the Cuban writer Reinaldo Arenas , the literary world publishers and critics expected Latin American novelists to tackle only two themes: i the celebration of economic underdevelopment and ii cultural exoticism. Hence, Fuguet concluded that, despite pretty people and pretty scenery, the contemporary Latin American city and world that he Fuguet inhabits, is too complicated for Magical Realism to grasp and effectively narrate.

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De Macondo a McOndo: senderos de la postmodernidad latinoamericana

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