DERRIDA APORIAS PDF

That is the question asked, explored, and analyzed in Jacques Derrida's new book. How and by whom can it be asked, can it be quoted, can it be an appropriate question, and can it be asked in the appropriate moment, the moment of "my death"? One of the aporetic experiences touched upon in this seminal essay is the impossible, yet unavoidable experience that "my death" can never subject to an experience that would be properly mine , that I can have , and account for, yet that there is, at the same time, nothing closer to me and more properly mine than "my death. This book bears a special significance because in it Derrida focuses on an issue that has informed the whole of his work up to the present. For the last thirty years, Derrida has repeatedly, in various contexts and various ways, broached the question of aporia.

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That is the question asked, explored, and analyzed in Jacques Derrida's new book. How and by whom can it be asked, can it be quoted, can it be an appropriate question, and can it be asked in the appropriate moment, the moment of "my death"? One of the aporetic experiences touched upon in this seminal essay is the impossible, yet unavoidable experience that "my death" can never subject to an experience that would be properly mine , that I can have , and account for, yet that there is, at the same time, nothing closer to me and more properly mine than "my death.

This book bears a special significance because in it Derrida focuses on an issue that has informed the whole of his work up to the present. For the last thirty years, Derrida has repeatedly, in various contexts and various ways, broached the question of aporia.

Making it his central concern here Derrida stakes out a new frontier, at which the debate with his work must take place from now on: the debate about the aporia between singularity and generality, about the national, linguistic, and cultural specificity of experience and the trans-national, trans-cultural law that protects this specificity of experience and of the necessity to continue working in the tradition of critique and of the idea of critique, yet the corresponding necessity to transcend it without compromising it; the aporetical obligation to host the foreigner and the alien and yet to respect him, her, or it as foreign.

The foreign or the foreigner has always been considered a figure of death, and death a figure of the foreign. How this figure has been treated in the analytic of death in Heidegger's Being in Time is explored by Derrida in analytical tour de force that will not fail to set new standards for the discussion of Heidegger and for dealing with philosophical texts, with their limits and their aporias.

Focusing on an issue that has informed his work for the last 30 years, Derrida stakes out a new frontier, at which the debate with his work must take place from now on. Jacques Derrida Edited by John P. Leavey, and Avital Ronell. Description Desc.

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Jacques Derrida (1930—2004)

In rhetoric , it is a declaration of doubt, made for rhetorical purpose and often feigned. Definitions of the term aporia have varied throughout history. The Oxford English Dictionary includes two forms of the word: the adjective "aporetic", which it defines as "to be at a loss", "impassable", and "inclined to doubt, or to raise objections"; and the noun form "aporia", which it defines as the "state of the aporetic" and "a perplexity or difficulty". The dictionary entry also includes two early textual uses, which both refer to the term's rhetorical rather than philosophical usage. In a reference from , J. Smith's Mystical Rhetoric, the term becomes "a figure whereby the speaker sheweth that he doubteth, either where to begin for the multitude of matters, or what to do or say in some strange or ambiguous thing" OED. Herbert Weir Smyth 's Greek Grammar also focuses on the rhetorical usage by defining aporia as "an artifice by which a speaker feigns doubts as to where he shall begin or end or what he shall do or say"

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Jacques Derrida

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