DUE FOSCARI LIBRETTO PDF

I Due Foscari. Characters Francesco Foscari, doge of Venice, eighty years old baritone ; Jacopo Foscari, his son tenor ; Lucrezia Contarini, his wife soprano ; Jacopo Loredano, member of the Council of Ten basso ; Barbarigo, senator, member of the Junta tenor ; Pisana, friend and confident of Lucrezia soprano ; servant of the Council of Ten tenor ; servant of the doge basso ; members of the Council of Ten and the Junta, handmaidens of Lucrezia, Venetian ladies, townspeople and masks. Act I. Venice, Jacopo Foscari has returned illegally to Venice, from whence he had been exiled unjustly, for the murder of two relatives of Jacopo Loredano, who accuses him. The sentence, pronounced by the Council of Ten, confirms the previous judgment. Act II.

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The correspondence between composer and librettist reveals the extent to which Verdi intervened in the making of the libretto, a good deal of the large-scale structure of the opera being dictated by his increasingly exigent theatrical instincts.

The composer was also concerned with matters of ambience and anxious to introduce certain moments in which scenic effects could be exploited You do not currently have access to this article.

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I due Foscari

Di fronte vedesi l'isola dei Cipressi, ora San Giorgio. Il sole volge all'occaso. La scena, da principio vuota, va riempiendosi di popolo e maschere, che entrano da varie parti, s'incontrano, si riconoscono, passeggiano. Come il popol gode! Si avanza fra il popolo Amici. Le gondole son pronte; omai la festa coll'usata canzone incominciamo.

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File:Giuseppe Verdi - I due Foscari - titlepage of the libretto - Rome 1844.png

New : Save your favorite arias, videos and singers! Tell me more - Check it later - Not interested. Verdi had considered the Byron play as a subject as early as But when he proposed such an opera to La Fenice in Venice, it was rejected as unsuitable. The story included criticism of actions of the Republic of Venice, which was offensive to the great families of Venice that had governed the Republic, including the still extant Foscari family. At the same time, a new opera on the subject of Lorenzino de' Medici, which Verdi proposed for the Teatro Argentina in Rome, was rejected by that house. I due Foscari was substituted and it was given its premiere performance there on 3 November

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Due Foscari. Libretto. Italian

The correspondence between composer and librettist reveals the extent to which Verdi intervened in the making of the libretto, a good deal of the large-scale structure of the opera being dictated by his increasingly exigent theatrical instincts. The composer was also concerned with matters of ambience and anxious to introduce certain moments in which scenic effects could be exploited You do not currently have access to this article. Please login to access the full content. Printed from Grove Music Online. Grove is a registered trademark.

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