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Published by Swing House Seller Rating:. About this Item: Swing House, Sheet music. Condition: Good. Swing House Inc. Sheet Music, paper covers,  pp unpaginated. Includes black and white photo of Lennie Niehaus. In good condition. Grey and yellow patterned paper covers have light bumping to edges and light overall scuffing, aging and soiling.
Previous owner's name in pencil of front. Binding tight staple bound. Pages lightly aged but otherwise unmarked. NOT Ex-Library. NO remainder marks. As reviewed in Volume I, one of the most important things to keep in mind while playing the etudes, is to play the eighth notes correctly. In the past, a bar of eighth notes was played as dotted eighths followed by sixteenth notes. It was believed that eighth notes played in this manner best exemplified the syncopated feel of jazz.
However, modern conception demands that a bar of eighth notes be played as quarter notes followed by eighth notes in a triplet figure. This notation most accurately defines the proper jazz conception to employ when playing eighth note patterns. The note is given full value and attacked with a legato tongue. I must also stress that the legato tongue should be used frequently. With legato tonguing, one can effectively play a steady flow of moving notes intermingled with accents and tongued notes on different parts of the beat.
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Jazz Conception Saxophone Etudes by Lennie Niehaus